In her work she depicts moments from other worlds and dimensions. With an acute observation on the forms and worldly phenomena as her tool, she dives into another view 

beyond the manifested. “In a state of inner contemplation, forms emerge that have their own will” as she describes in her own words “the work defines what it needs”. Between automation and conscious decision lies a field of equilibrium, a golden ratio. There, she seeks the relationship between the individual and the cosmic. Through this communication the process of artistic creation becomes the mirror of the Self, where only the One exists. In her artistic research she combines elements of the material and immaterial worlds. She lets their radiance and their vibrations express the intelligence and the unity of life behind the forms. She views color as a spiritual tool, working with contrasts and creating sources of light. Oil colors are her basic means, as she recognizes in them the directness and the natural manner that are necessary in order for the subtlety of her works to become apparent. At the end of her studies after she had experienced a dead end upon her artistic work, she came to realize that, as she herself conveys: “I refused to believe that the path of art is necessarily difficult and confrontational. I decided that certainly there is another way that I will perceive after a necessary transcendence of thought. I sensed it so I asked guidance from the Universe”.